2/2/2024 0 Comments Izotope vs clickrepairAlso albums with a lot of sawtooth synth do not handle declicking well.ĭo you have RX Advanced? If so, keep trying different settings while listening to the click-only output until what you hear doesn't resemble the musical patterns in any way. I also have a couple of old copies of Rumours with a lot of clicks but they cleaned up much better. I found it really hard to declick because the recording is very digital with a lot of sharp transients that were very close to clicks. You mentioned Fleetwood Mac and it reminded me of a UK copy of the album Tusk I got once that had quite a bit of clicks. In that case it all comes down to choosing the lesser of two evils for a more leasant listening experience, the clicksor the dulling of some transients. On the other hand, sometimes declicking does remove stuff. I've often been sure that declicking was dulling transients but when I did some serious A-Bing or blind comparisons, I realized it was my imagination more than anything else. It's easy to fall victim to expectation bias when doing declicking. but they can still be good for certain more difficult declicking. The Multi-Band ones are more effective but listening to the click-only output on them can be misleading as it sounds like there's some warbling, artifacting, etc. I've found that the "Single Band" settings are closest to ClickRepair. For directly drawing on waveforms.) The nature of vinyl damage (with either debris wedged into the groove or a scratch slicing through it) makes this a very direct fix and often gives you the most 1:1 with what the original undamaged bit would have sounded like.Click to expand.Do you have RX Advanced? If so, keep trying different settings while listening to the click-only output until what you hear doesn't resemble the musical patterns in any way. It does have one big omission going against it. If you can find an undamaged copy of the vinyl on the collectors market for under $300, it would be a lot more frugal in the long run than trying to restore a damaged copy.Īs for Reaper being a good choice of DAW for this. 03 seconds - which is what would happen to a high end cartridge.) Built to "scratch" with and not destroy the cartridge in. It's very expensive analog gear (The DJ equipment you see around these days is actually very lo-fi usually. It goes without saying that you want to do the original AD capture from a very high end setup. The only time to invest this kind of effort is for something truly rare. There's still a ton of manual work to do so as not to lose any actual program with the removed artifacts. Izotope RX does have a good click/pop removal tool. Restoration of damaged vinyl is a labor of love for sure. Audacity also has a "draw waveform" tool which can sometimes work as a last resort. But the good thing about that is it only "touches" the audio where you tell it to.Ĭlick Repair and Wave Corrector are in the same price range and they are more automated.Īudacity has Click Removal and Repair effects, which might be worth a try since they are free. The downside is that it works best as a manual tool where you identify all of the defects before repairing and it usually takes me a full weekend to clean-up a digital transfer. (Developed by the author of the above web page.) It does a "perfect" job removing most clicks & pops with a few different methods/algorithms. I've used Wave Repair ($30 USD) many times. Most of that software is stand-alone applications. This page () has some software recommendations and tons of other information about digitizing vinyl. I think WAVES has some "clean-up" plug-ins, but I have not tried these either. It's kind-of expensive and I've never tried it. Izotope RX has a good reputation and it can be used as a plug-in or as a stand-alone application. (I buy the CD or MP3 when the music is available digitally.) Vinyl clean-up can be tricky and like any kind of noise reduction, sometimes the cure can be worse than the disease.
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